My artistic practice centers on the delicate interplay between the pristine white of paper and the profound black of ink. Through techniques like plotting, dotting, drawing, stitching, foiling, and puncturing, predominantly on paper, I explore the journey of a moving point—sometimes linearly, sometimes converging with others. My quest is to eschew overt emotional expression, instead seeking harmony in the equilibrium of positive and negative space, through manipulation of lines, grids, and color.
In recent years, I've immersed myself in the exploration of the square shape, both within its confines and through its dissolution. This ongoing exploration has yielded a constant evolution, with countless permutations and combinations emerging. From this foundation, I've ventured into the realm of three-dimensional metal sculptures that echo and expand upon my paper-based explorations. Whether through layering techniques or the principles of origami and kirigami, these sculptures remain deeply rooted in the core ethos of my practice, bridging the gap between two-dimensional representation and tangible form.
Through these endeavors, I've abstracted the cityscape into a minimal geometric purity that offers instant visual gratification. My work beckons viewers to contemplate the essence of our urban surroundings, revealing the beauty inherent in both the simplicity of form and the intricate complexities of urban life.