Ruchika Singh Wason’s artistic practice is predominantly centred around the ideas of mark-making in the history of painting and different forms of representations from the south-asian
perspectives. Ruchika’s practice primarily interested in the ideas around the unknown spaces,
forms of continuums and working with various traces and intentional scratches to generate a
layered sense of dialogue between the history, present and possible imagined futures. Very
interestingly the works open visual experiences to materialise different dimensions to co-associate, relate and generate multiple meanings.
Ruchika’s works revolve around the research and using different traditional materials from
South-East and East Asia. Ruchika’s artistic practice is about thinking and treating surfaces in
very specific manners, which both philosophically and technically unfold space of accessibility
and a sense of vocabulary to generate larger discourses. In that way, knowledge is experiential
in Ruchika’s artworks. Ruchika’s practice also refers to the dynamism between the idea of
consumerism and human habitation at different levels, which multiply the emergence of new
forms of abstractions as well as the representation of new forms of post-war. Largely, the
artistic practice symbolises and reflect the idea of freedom, movement and the transformative
attitude of artistic production to challenge and activate spaces in the present socio-cultural
situations.